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Comedy and tragedy, laughter and weeping yields further clues of this challenging problem. The detached malice of the comic impersonator that turns pathos into bathos, tragedy into travesty. Comedy is an imitation of common errors of our life, which representeth in the most ridiculous and scornful sorts that may be.
Surely satire reflects changes in political and cultural climate and it had it’s ups and downs. George Orwell’s satire of the 20th century is much more savage than that of Jonathan Swift in 18th century. It is only in the mid 20th century that the savage and the irrational have come to be viewed as part of the normative condition of the humanity rather than as tragic aberration from it.
The savage and irrational amount to grotesque parodies of human possibility, ideally conceived. Thus it is the 20th century novelists have recognized the tragicomic nature of the contemporary human image and predicament, and the principal mode of representing both is the grotesque. This may take various forms.
In Animal Farm it takes a form of apocalyptic nightmare of tyranny and terror. The satire in Animal Farm has two important aims — both based on the related norms of limitation and moderation. First, Animal Farm exposes and criticizes extremist political attitudes as dangerous.
On the one hand, it satirizes the mentality of the utopian revolutionary — the belief at through the conscious effort of a ruling elite a society can be suddenly severed from its past and fashioned into a new, rational system. Implicit in Snowball’s vision of high technology modernization is the extirpation of the animals’ resent agricultural identity as domesticated creatures and — if Boxer’s goal of improving his mind is any indication , their eventual transformation into Houyhnhnms. Instead, Snowball’s futuristic incantations conjure up the power-hungry and pleasure-loving Napoleon.
An allegorical view of reality – the thing said or displayed really meaning something else—suited .Скачать